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By Erman Kaplama

Erman Kaplama explores the main of transition (Übergang) from metaphysics to physics constructed via Kant in his unfinished magnum opus, Opus Postumum. Drawing at the Heraclitean logos and Kant’s notions of sense-intuition (Anschauung) and reflective judgment, Kaplama translates transition as a cultured precept. He revises the assumption of nature (phusis) because the precept of movement touching on Heraclitus’ cosmology in addition to Heidegger’s and Nietzsche’s lectures at the pre-Socratics. Kaplama compares the Kantian chic and Nietzschean Dionysian as aesthetic theories representing the transition from the practical to supersensible and as cosmological theories that think about human nature (ethos) as an extension of nature. In gentle of such Nietzschean notions because the everlasting recurrence and should to energy, the Dionysian is proven to set off the transition during which nature and paintings are redefined. eventually, Cosmological Aesthetics employs the foundations of transition and movement to research Van Gogh’s Starry Night in an excursus.

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Cosmological Aesthetics through the Kantian Sublime and Nietzschean Dionysian by Erman Kaplama


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