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By Michael D. Bristol

In this identify, first released in 1985, Michael Bristol attracts on numerous theoretical and demanding traditions to review the character and objective of theatre as a social establishment: on Marxism, and its revisions within the paintings of Mikhail Bakhtin; at the theories of Emile Durkheim and their diversifications within the paintings of Victor Turner; and at the historical past of social lifestyles and fabric tradition as practiced by means of the Annales college. This helpful paintings is a vital contribution to literary feedback, theatre reviews and social historical past and has specific significance for students attracted to the dramatic literature of Elizabethan England.

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Carnival and Theater (Routledge Revivals): Plebian Culture and The Structure of Authority in Renaissance England by Michael D. Bristol

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