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By Ellen R. Welch

A flavor for the overseas examines foreignness as a very important aesthetic type for the improvement of prose fiction from Jacques Amyot's 1547 translation of The Ethiopian tale to Antoine Galland's early eighteenth-century model of The Thousand and One Nights. whereas amazing storylines and parts of magic have been more and more kept away from by way of a neo-classicist literary tradition that valued verisimilitude mainly else, writers and critics surmised that the depiction of unique lands may provide an excellent resource for the newness, sort, and marvelousness that constituted fiction's attraction. during this experience, early smooth fiction offers itself as privileged web site for pondering during the literary and cultural stakes of exoticism, or the flavor for the overseas. lengthy sooner than the time period 'exoticism' got here into universal parlance in France, fiction writers hence established their knowing of the distinctive forms of aesthetic excitement produced by means of evocations of foreignness, constructing strategies to simulate these delights via imitations of the unique. As early sleek readers eagerly fed on shuttle narratives, maps, and foreign newsletters, novelists came upon how you can blur the excellence among real and imaginary representations of the international, tantalizing readers with an phantasm of studying concerning the far off lands that captured their imaginations. This ebook analyzes the artistic appropriations of these clinical or documentary different types of writing that claimed to notify the French public approximately unique areas. targeting the main profitable examples of a few of crucial sub-genres of prose fiction within the lengthy 17th century—heroic romances, shorter city novels, fictional memoirs, and amazing voyages—the publication examines how some of these fiction creatively acceptable the medical or documentary varieties of writing that claimed to notify the French public approximately unique places.

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A Taste for the Foreign: Worldly Knowledge and Literary Pleasure in Early Modern French Fiction by Ellen R. Welch


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